B N Oakman
B N Oakman, formerly an academic economist, started writing poetry in 2006. In 2006 he started offering poems to publishers. Subsequently his work has been widely published in magazines, journals and newspapers in Australia, the UK and the USA. He has since published many poems in Australia and overseas as well as a full-length book, In Defence of Hawaiian Shirts (IP, 2010) and two booklets, Chalk Dust (2009) and Secret Heart (2013), both with Mark Time Books.
He was awarded a grant by the Literature Board of the Australia Council for 2009. His work is recorded on the ABC Classics CD, Peter Cundall Reads War Poetry and he reads his poetry at various events and festivals.
His work has been nominated for The Pushcart Poetry Prize 2015 (USA). Second Thoughts is his second full-length collection.
www.bnoakman.com
Sample
the island
remember those burnished weeks?
how we talked of never leaving for fear
we’d corrupt the intricate alchemies of paradise
but when our time expired we flew south on cut-price wings
comforting each other with plans for a swift return
‘when we’ve sorted a few things out’
we never returned to the island
snatched by duty’s talons from the greasy runway
tethered by obligations without relent
burned by bitter frosts of compromise
long did we rail against our folly
like those fools who expelled themselves from Eden
yet, despite manacles of gainful drudgery
come-hither smiles from covetous death
the sky so low, the stars so often swathed in cloud
those gleaming days do not tarnish
blue-gold dawns, incarnadine sunsets, you,
and by early light if I reach for your hand
we dive into surf foaming on the lip of an ocean
listen for early stirrings of an onshore breeze
watch infinity’s fires flaring in night’s vast cupola
sleep under moonlight filtered through tent walls
and breakfast on mangoes stolen
from a ruined garden at the edge of a coral sea.
Sad Songs
in memory of Glenn Chapman
On Friday mornings he performs in an alleyway
by the supermarket, a hard-worn man who sings
sad songs with splintered voice and plays guitar
with such phrasing, dexterity and attack to hint
at green years shrivelled in quest of bright lights
that somehow never shone on him. Old velvet,
once crimson, now paler than unrequited love
and much nibbled by moths, lines his battered
guitar case. His smile when I drop a few coins
is a solitary brief blooming in a garden of dead
dreams, while notes flutter from strings pliant
to fingers’ caress and skitter across the surface
of a fathomless sink of sorrows. I give money
in hope he’ll go on singing sad songs, not only
for me but for every wounded nobody who in
silence keeps the stern and lonely vigils of grief.
Backtrack
On a backtrack at Cardigan near Ballarat
after a July night’s nadir plumbed minus 3,
they were found in a car The Age called
‘home’ for him (28), her (24) and a dog.
Butane from their heater is suspected –
tasteless, colourless, odourless, lethal
if leaking, a rival for oxygen if flaming;
lulling, drowsing, gentling unto oblivion.
In dew-damp grass lie cigarette packets,
fast food wrappers, a small syringe,
a scatter of budget bitter bottles, crushed
bourbon and coke cans, a teddy bear.
Such sordid manifests are rare for single
malt swillers and hundred buck snorters
who expire in private, swaddled behind
capital’s opaque and dignifying walls.
Along one side of the track thistles thrive
amidst yellow gorse, the other is staked
and strained with barbed wire, the detritus
of brief passings strewn along the verge.
expansive splendour
flesh tinged grey as if his core were shutting down
he boarded shuffling like his soles were smeared with glue
and died so discreetly a few hours shy of Abu Dhabi
he sat unnoticed until an attendant asked
what he didn’t like about his untouched meal
a doctor (prised from economy, elevated to business)
felt for a pulse and shook his head
and I couldn’t help thinking of Groucho Marx grabbing
a prone man’s wrist and shouting
‘either this man’s dead or my watch has stopped’
then the cabin crew turned to mummery
eager to edit an unsettling final act
they fitted his body with oxygen mask and eyeshade
and made-believe he’d overslept
though fooling few as we filed away in Abu Dhabi
next day in the lounge of Madrid’s Hotel Ritz
I reclined in expansive splendour
close by she who gives cause for me
to occasionally replace corks in bottles
and we drank to those who crave no lease on tomorrow
who know unkindly gods pour scorn upon our plans
that the dance always stumbles to an end
that the band packs up and slips into the night
that the dream rarely endures the rigours of the day
and then we drank to that grey stranger
who passed in high flight over the Indian Ocean
for him in his last ardent embrace
a winding sheet of opaque linen
to swaddle him from the egregious stares of the fearful
to him and to the whole damn mess of it salud salud
IP (Interactive Publications Pty Ltd)
Oakman writes poems for those annoyed by poets. These are honest stories drawn from history, sometimes the personal, more often the sweep of the world beyond, with an even-handed empathy for the subject of each telling. Resisting the florid and the abstract, Oakman drives directly at the point, with here and there a verse like Incan stonework, so carefully composed you barely see the joins.
– Geoff Lemon, Editor, Going Down Swinging
IP (Interactive Publications Pty Ltd)
There is a gentle, but occasionally disconcerting, power in all Bruce Oakman’s poetry. He has an extraordinary talent for revealing and confronting us with aspects of reality about which we are either unaware, or tend to ignore. His poems are filled with surprises, sometimes making us smile, but the unexpected distilled truths he uncovers about ourselves and the world in which we live, can leave us weak and trembling, but always wanting more.
– Peter Cundall, Peter Cundall Reads War Poetry
IP (Interactive Publications Pty Ltd)
Bruce Oakman’s writing grows ever more robust and compassionate. He goes to the centre of things, drawing on both past and present as he creates landscapes of feeling in poems in which history, politics, people and places are refracted through a deeply felt understanding of the human condition. With a vision committed to looking at things straight, these are poems from the heart.
– Valerie Krips, Editor, Arena Magazine
IP (Interactive Publications Pty Ltd)
My favorite film is probably Brief Encounter, and it’s lovely to find it here as the focus of Bruce Oakman’s title poem in this collection: a collection of not just second but infinitely reconsidered thoughts on all the major themes of life and literature; a succession of brief encounters with a rich, and enriching, array of people, places, passions. 51 compact poems encompass whole worlds of emotion and experience, from hospital beds to hilltop towns in Spain, politics to prisons, films to the footy field, each freshly fashioned to prompt our own thoughts and second thoughts.
– Ian Britain, former editor Meanjin
IP (Interactive Publications Pty Ltd)
Oakman’s poetry moves deftly, but no less aptly, between the commonplace and the insightful, the particular and the universal. Moments of frolic are shot through with wisdom, as elsewhere a purposeful ruggedness leads on to refinement. So many poems are distinguished by their final line: demonstrations of organic closure – conceptually retroactive, forceful yet elegant.
– John Flaus, actor and critic