Second Thoughts

B N Oakman finds poetry in the ordinary, the exotic, the political and the aesthetic. No head of State or classical film is safe from his exacting eye, which yields refreshing insights about subjects we thought we already understood.

 

Click Here To Download The Preview
Clear

Winner, 2014 IP Rolling Picks Best Poetry

B N Oakman finds poetry in the ordinary, the exotic, the political and the aesthetic. No head of State or classical film is safe from his exacting eye, which yields refreshing insights about subjects we thought we already understood.

A poet for the journey rather than the arrival, Oakman blends intellect, heart and imagination in sharply observed verse employing the rhythms of everyday speech with a conversational tone devoid of sentimentality. He eschews distracting detail, embellishment and pointless abstractions, to usher his readers towards closing lines frequently of startling impact. If this book has a leitmotif it might be distilled from the poetry of Antonio Machado, the great Spanish poet whose life and work are referenced here and there throughout Second Thoughts. Oakman is plainly sympathetic to Machado’s credo: Wayfarer, your footsteps/ are the road and nothing more./ Wayfarer, there is no road,/ the road is made by walking. Oakman’s writing, recently described by a prominent critic as ‘radically comprehensible’, is a poetry of engagement which embraces a wide range of subjects – political, personal, cinema, art, war – always encouraging the reader to share an experience, an idea, an emotion.

 

One measure of a poet’s dedication to the art form to ask how many poems have been published elsewhere prior to their presentation in book form. Oakman mentions in his acknowledgements that all but one of the 51 poems in this collection have been previously published in various magazines, journals and newspapers which include many of the most sought after literary publications in Australia and overseas. The exception is the title poem – and we can only speculate he reserved it for this book.

B N Oakman

B N Oakman, formerly an academic economist, started writing poetry in 2006. In 2006 he started offering poems to publishers. Subsequently his work has been widely published in magazines, journals and newspapers in Australia, the UK and the USA. He has since published many poems in Australia and overseas as well as a full-length book, In Defence of Hawaiian Shirts (IP, 2010) and two booklets, Chalk Dust (2009) and Secret Heart (2013), both with Mark Time Books. He was awarded a grant by the Literature Board of the Australia Council for 2009. His work is recorded on the ABC Classics CD, Peter Cundall Reads War Poetry and he reads his poetry at various events and festivals. His work has been nominated for The Pushcart Poetry Prize 2015 (USA). Second Thoughts is his second full-length collection. www.bnoakman.com

Sample

the island

remember those burnished weeks?
how we talked of never leaving for fear
we’d corrupt the intricate alchemies of paradise
but when our time expired we flew south on cut-price wings
comforting each other with plans for a swift return
‘when we’ve sorted a few things out’

we never returned to the island
snatched by duty’s talons from the greasy runway
tethered by obligations without relent
burned by bitter frosts of compromise
long did we rail against our folly
like those fools who expelled themselves from Eden

yet, despite manacles of gainful drudgery
come-hither smiles from covetous death
the sky so low, the stars so often swathed in cloud
those gleaming days do not tarnish
blue-gold dawns, incarnadine sunsets, you,
and by early light if I reach for your hand

we dive into surf foaming on the lip of an ocean
listen for early stirrings of an onshore breeze
watch infinity’s fires flaring in night’s vast cupola
sleep under moonlight filtered through tent walls
and breakfast on mangoes stolen
from a ruined garden at the edge of a coral sea.

Sad Songs

in memory of Glenn Chapman

On Friday mornings he performs in an alleyway
by the supermarket, a hard-worn man who sings
sad songs with splintered voice and plays guitar
with such phrasing, dexterity and attack to hint

at green years shrivelled in quest of bright lights
that somehow never shone on him. Old velvet,
once crimson, now paler than unrequited love
and much nibbled by moths, lines his battered

guitar case. His smile when I drop a few coins
is a solitary brief blooming in a garden of dead
dreams, while notes flutter from strings pliant
to fingers’ caress and skitter across the surface

of a fathomless sink of sorrows. I give money
in hope he’ll go on singing sad songs, not only
for me but for every wounded nobody who in
silence keeps the stern and lonely vigils of grief.

Backtrack

On a backtrack at Cardigan near Ballarat
after a July night’s nadir plumbed minus 3,
they were found in a car The Age called
‘home’ for him (28), her (24) and a dog.

Butane from their heater is suspected –
tasteless, colourless, odourless, lethal
if leaking, a rival for oxygen if flaming;
lulling, drowsing, gentling unto oblivion.

In dew-damp grass lie cigarette packets,
fast food wrappers, a small syringe,
a scatter of budget bitter bottles, crushed
bourbon and coke cans, a teddy bear.

Such sordid manifests are rare for single
malt swillers and hundred buck snorters
who expire in private, swaddled behind
capital’s opaque and dignifying walls.

Along one side of the track thistles thrive
amidst yellow gorse, the other is staked
and strained with barbed wire, the detritus
of brief passings strewn along the verge.

expansive splendour

flesh tinged grey as if his core were shutting down
he boarded shuffling like his soles were smeared with glue
and died so discreetly a few hours shy of Abu Dhabi
he sat unnoticed until an attendant asked
what he didn’t like about his untouched meal

a doctor (prised from economy, elevated to business)
felt for a pulse and shook his head
and I couldn’t help thinking of Groucho Marx grabbing
a prone man’s wrist and shouting
‘either this man’s dead or my watch has stopped’

then the cabin crew turned to mummery
eager to edit an unsettling final act
they fitted his body with oxygen mask and eyeshade
and made-believe he’d overslept
though fooling few as we filed away in Abu Dhabi

next day in the lounge of Madrid’s Hotel Ritz
I reclined in expansive splendour
close by she who gives cause for me
to occasionally replace corks in bottles
and we drank to those who crave no lease on tomorrow

who know unkindly gods pour scorn upon our plans
that the dance always stumbles to an end
that the band packs up and slips into the night
that the dream rarely endures the rigours of the day
and then we drank to that grey stranger

who passed in high flight over the Indian Ocean
for him in his last ardent embrace
a winding sheet of opaque linen
to swaddle him from the egregious stares of the fearful
to him      and to the whole damn mess of it      salud      salud

ISBN : 9781922120991
SKU: N/A
ISBN: 9781922120991, 9781922120984
Category:
Tags:, , , , ,
Page Length: 68
Weight N/A
Dimensions N/A
Editions

Ebook, PB

Options

ePub, mobi(kindle), PB, pdf

Customer Reviews

1-5 of 5 reviews

  • IP (Interactive Publications Pty Ltd)

    Oakman writes poems for those annoyed by poets. These are honest stories drawn from history, sometimes the personal, more often the sweep of the world beyond, with an even-handed empathy for the subject of each telling. Resisting the florid and the abstract, Oakman drives directly at the point, with here and there a verse like Incan stonework, so carefully composed you barely see the joins.
    – Geoff Lemon, Editor, Going Down Swinging

    July 20, 2023
  • IP (Interactive Publications Pty Ltd)

    There is a gentle, but occasionally disconcerting, power in all Bruce Oakman’s poetry. He has an extraordinary talent for revealing and confronting us with aspects of reality about which we are either unaware, or tend to ignore. His poems are filled with surprises, sometimes making us smile, but the unexpected distilled truths he uncovers about ourselves and the world in which we live, can leave us weak and trembling, but always wanting more.
    – Peter Cundall, Peter Cundall Reads War Poetry

    July 20, 2023
  • IP (Interactive Publications Pty Ltd)

    Bruce Oakman’s writing grows ever more robust and compassionate. He goes to the centre of things, drawing on both past and present as he creates landscapes of feeling in poems in which history, politics, people and places are refracted through a deeply felt understanding of the human condition. With a vision committed to looking at things straight, these are poems from the heart.

    – Valerie Krips, Editor, Arena Magazine

    July 20, 2023
  • IP (Interactive Publications Pty Ltd)

    My favorite film is probably Brief Encounter, and it’s lovely to find it here as the focus of Bruce Oakman’s title poem in this collection: a collection of not just second but infinitely reconsidered thoughts on all the major themes of life and literature; a succession of brief encounters with a rich, and enriching, array of people, places, passions. 51 compact poems encompass whole worlds of emotion and experience, from hospital beds to hilltop towns in Spain, politics to prisons, films to the footy field, each freshly fashioned to prompt our own thoughts and second thoughts.

    – Ian Britain, former editor Meanjin

    July 20, 2023
  • IP (Interactive Publications Pty Ltd)

    Oakman’s poetry moves deftly, but no less aptly, between the commonplace and the insightful, the particular and the universal. Moments of frolic are shot through with wisdom, as elsewhere a purposeful ruggedness leads on to refinement. So many poems are distinguished by their final line: demonstrations of organic closure – conceptually retroactive, forceful yet elegant.

    – John Flaus, actor and critic

    July 20, 2023

Write a Review

Your email address will not be published. Required fields are marked *