Bringing Down the Wall

Joshua misses his grandpa, but his mother has told him he’s not allowed to see him. She won’t explain why, but Joshua suspects it has something to do with his grandpa’s new wife, Riva.

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Joshua misses his grandpa, but his mother has told him he’s not allowed to see him. She won’t explain why, but Joshua suspects it has something to do with his grandpa’s new wife, Riva.

One day, Joshua sets out on his own to visit his grandpa and Riva to discover the truth. He hopes he can find a way to make it up between them and his mother. But will he be able to bring down the wall guarding their secrets?

Also available in German and French translated editions

David P Reiter

Dr David P. Reiter is an award-winning poet and writer of fiction, and CEO of IP, an innovative print and digital publisher in Brisbane. His fourth book, Hemingway in Spain and Selected Poems, was shortlisted for the Adelaide Festival Awards. His previous books include The Cave After Saltwater Tide (Penguin, 1994) for which he won the Queensland Premier’s Poetry Award. His book of short fiction, Triangles, was shortlisted for the Steele Rudd Award. Other works are The Gallery, interactive multimedia; Kiss and Tell, Selected and New Poems 1987-2002 (Penguin); and Sharpened Knife, a multimedia murder mystery. IP released his novel Liars and Lovers in 2003. His script, Paul & Vincent, was broadcast by ABC Radio National, followed by the release of a multimedia version and audiobook from IP Digital, based on his poetry book Letters We Never Sent. He’s completed a film and audiobook of Hemingway in Spain. Real Guns is a children’s picture book illustrated by Irish artist Patrick Murphy. His Project Earth-mend Series of four children’s books includes The Greenhouse Effect, Global Cooling, Tiger Tames the Min Min and Tiger Takes the Big Apple. He won the Wesetern Australian Premier’s Award for Timelord Dreaming (2016) and the interactive website My Planets: a fictive Memoir (2012). His most recent works are the digital narrative Black Books Publishing (2018) and Time Lords Remixed: a Dr Who poetical (2020). David has had several grants from the Australia Council and Arts Queensland and has been writer-in-residence at a number of places including the Banff Centre for the Arts, Bundanon (the Arthur Boyd property), the Michael King Centre in New Zealand, and the Katharine Susannah Prichard Centre in Perth, Western Australia.He gives talks and leads workshops on all aspects of publishing. Recent works include Black Books Publishing (2018), an interactive satire about the publishing industry; the medical/micro-textual hybrid TimeLord Dreaming, which won the 2016 Western Australian Premier’s Award for Digital Narrative, Your eBook Survival Kit, now in its 3rd edition, and the picture book Bringing Down the Wall, which was 2014 Best Book for Teens & Kids (Canadian Children’s Book Centre). As artist-in-residence twice at the Banff Centre for the Arts, he completed My Planets Reunion Memoir Project, which won the 2012 WA Premier’s Award, and The Gallery (2000), a non-linear interactive work featuring the relationship between Paul Gauguin and Vincent van Gogh. To celebrate IP’s 20th anniversary, he curated and designed Just Off Message, an anthology of more than 40 Australian and international authors. Most recently, he produced Dark Sky Dreamings: an Inland Skywriters Anthology, which is currently touring.

Sample

Deep Breath

You’ve really let yourself go
inside this vanity trap where we
need to wear cyber labels

to decode our hands right from left
so we’ll have somewhere better
to land than backwards. Never try to

control a control freak, especially a
robot urging himself into human guise
for some Promised Land. Because we’re

all organs on a preordained menu for
unwed diners outside a conjured escape
capsule. There’s something wrong

when no one else but you are breath-
ing, as you wonder what flirting has
to do with spontaneous regeneration.

Under the Lake

Ghosts? Never met one I couldn’t tame,
until now. Just say boo from behind
your sonic sunglasses and they

dissolve – or do they? But no, these
cosmic sailors hover, persistent,< br/> curious, even. Who’s in charge?

(I need to know which one I can ignore)
Meanwhile, everyone’s abandoning
ship, or falling softly into death.

They can pass through walls, locked
doors, even Clara’s holographic double,
whispering the dark, the sound, the

forsaken temple, rewinding past, through
dark space from Orion’s Nebula. I need maps,
precise coordinates to frame their positions,

a suspended animation chamber to see
how the slain relearn to hum, transmit
via some Puppeteer’s impossible magnet.

But then the flood, and Clara has to
trust me to teleport without the Tardis
and come back, ghost-free, to her

somehow.

The Return of Dr Mysterio

What do I have in common with Clark Kent?
Certainly not his love of skin-tight threads, but yes
keeping a phone box handy for the first threat

of danger, and being on call 24/7 to buffer
humans, especially page turning companions,
despite their impulse to hug him or me

at the drop of an alien. Save is just what we
freelancers do without bronzing or vows.
During a pause, I was trying to power up

a time distortion equaliser thingy with a Hazandra
gemstone, when young boy Grant swallowed it
and developed a persistent case of levitation,

a capital G, and a blue rubber speed handy
24 years on to sidestep his part-time nanny
job for high school sweetheart Lucy

(read Lois Lane). Tagged the Ghost because
all the better comics names had been branded,
he was super as a backstop brake for a spaceship

with nukes cross-haired at NYC. I could
have snagged it myself, but I was missing Clara
and River Song, it was Christmas again,

and everyone deserves a happy
reboot after a sad
ending.

The Woman Who Fell to Earth

Once you learn how to tumble
from a bike you never forget.
Bad timing: I was in mid-transform

from my grey-haired Scottish
skin (bless his sexy drawl!)
bracing for my train roof grand

entry, no time to muck about
with who I am or was or should be
though I do have this niggling

yearn for a certain runaway police-
box especially as I confront the data
coil of this flying spaghetti monster.

Have I ever tasted a Hersey’s Kiss?
Does it really matter as carriages uncouple
and Tzim-Sha can zap us at will?

I do prefer the height-thrill of cranes
to the afterburn of virtual chocolate
as I blowtorch a fresh sonic screwdriver

from random scraps of metal. Damn
those budget cuts! We can do so much
better than purloined teeth for trophies.

Yes, always be kind!

999.1
Ticking boxes: ‘is he still conscious?
When did his #chest pains, shortness of breath, begin?
Please secure all dogs & attack guinea pigs.’

999.2
In situ: ‘you say your father died of a #heart attack?
Have you ever smoked?’ Passive counts.
As my pain tightens… #regeneration coming on?

999.3
‘Please scale your #pain from 1 to 10.
We sustain for the EW – no exits on our watch.
Name, date of birth, allergies – best to memorise.’

999.4
Drugs, glorious drugs! please Mr Para
may I have some more? Mr #Morphine and I
have never played tag, until now…

4D Print from the #Tardis
#Dr Who at the EW shapeshifts for the transfer,
blue jab in my bowels, #centrifuge of max focus
betrayed by a tease of dancing lights.

After the Kangaroo had solidified ever so slightly from his normal holographic state to bid the Crew a farewell that Tiger the cat took to be almost fond, if not teary, before fading into the darkness, it was pitch dark at Uluru save for the pin-pricks of light overhead that were stars, and only stars, or so Tiger hoped.

He felt the fur stiffen on the back of his neck. ‘Do you suppose Mick will be back?’ he asked no one in particular, hoping that anyone who had an answer would chime in.

‘Weren’t you listening?’ snapped Tark, the extra-terrestrial from the Planet Griffon disguised as a frog so as not to call too much attention to himself. ‘I already answered that question!’

‘Yes,’ sniffed Tiger. ‘But I hoped if I asked again that I’d like the answer more this time!’

Wanda the Blue-tongue Lizard stuck out her tongue, more to test the night air, than to make fun of Tiger’s twitchy question. ‘It would have been fair enough to ask again,’ she said, ‘if you hadn’t had the first answer less than two minutes ago!’

Number 12, the now-almost-completely-retired-racing-camel, rapped each of his left hooves in turn against its right number to free it from a clog of sand before clearing his throat to speak. ‘While it’s true Tiger just asked the question, he did it at the end of Tiger Tames the Min Min, which for us may have been five minutes ago, but this is a new story entirely, and I believe that it took its author quite some months to write.’

‘You don’t know that,’ piped in Syd the crow. ‘It might end up very much the same story, or no story at all if the writer doesn’t get a move on.’

‘Writer?’ Tark demanded. ‘What writer?’

Number 12 snorted. ‘The one who left us standing here in the cold night air for more than a year now pretending that it was five minutes, while he went off to do… other things.’

‘Alexander’s like that,’ Tiger nodded. ‘When he’s working on one of his feature articles, he forgets to eat sometimes. Which is OK, except when he forgets to feed me.’

‘Well, you’ll have plenty of time to remind him,’ said Tark, ‘when we get back to base.’

‘Oh, goody,’ cried Tiger. ‘You mean we can go home at last?’

‘I reckon we’ve earned some R & R,’ said Tark. ‘Besides, Prince and Eudora will want a full update on Mick and his nasty starships. Before they tell us where we’re going next.’

Number 12 anticipated Tiger’s question. ‘Rest and relaxation – that’s R & R. What I was planning to get lots of, before you detoured me out of retirement!’

‘Count this lizard out!’ snapped Wanda. ‘First you drag us up the east coast of Australia to the pointy Top End of Queensland. Then across the Simpson Desert to Uluru. With just a slight change of pace to plug that burst oil well. Ducking Min Min Lights all the way. I do believe that I’ve served my time!’

‘And done it very well,’ Tark said, pouring it on like thickened cream. ‘Where would we have been without Judge Wanda?’

‘Oh, go on,’ Wanda said, her skin going ever so slightly sunset red despite its stubborn greenish black. ‘Any native creature would have done the same in my place!’

‘You can never take a compliment,’ tittered Syd. ‘But if you’ve got a better offer than saving the Earth and our fellow creatures, Wanda, just say so. I’m sure there are others who’ll gladly take your place!’

Wanda eyed Syd. ‘Once a scavenger, always a scavenger. I suppose I’ll have to see it through – if only to keep you in line.’

Syd winked at Tiger. ‘That’s settled, then. Though Judge Syd could have a nice ring about it!’

‘What about you?’ Tark asked Number 12. ‘Are you game for the next phase of Project Earth-mend?’

Number 12 managed a smile as much as any camel – ex-racing or otherwise – could. ‘My race against the emus brought it all back – the thrill. I can’t see myself moping around a paddock all day, flicking away blowflies day in and day out. Sign me up!’

‘And I’m certainly keen!’ Tiger chimed in. ‘After all, what’s an adventure without a leader?’

‘Excuse me, Earthling,’ Tark snapped, stretching his magic toe. ‘Who’s in charge here?’

Tiger gulped, eying Tark’s toe, which was already glowing an eerie green with just a hint of blood red in it. ‘Um, I meant to say deputy leader.’

‘Of course you did,’ Tark said, more kindly, while his toe faded back to its normal frog-like hue. ‘Now we must all teleport back to the Sacred Pool for further instructions.’

‘The Sacred Pool?’ said Number 12. ‘Is that some kind of oasis?’

Wanda laughed. ‘It’s in Canberra, the watering hole for most of Australia’s politicians!’

‘Oh,’ said Number 12, deflated. ‘I’ve never met a politician before. But I hear you can’t trust them as far as you can buck them.’

‘That’s not entirely true,’ said Tiger. ‘The previous Prime Minister was rather fond of Myrtle’s Greenhouse Ginger Cheesecake, so it was a snap to sign him up for Project Earth-mend. He’s still onside, but I don’t know about the one we have now.’

Wanda shook her head. ‘Myrtle will take care of him, or her, if it ever comes to that again. Wait and see!’

‘We won’t have to wait long,’ Tark said, tilting his head toward the sky as if a transmission was coming in. ‘Prince wants us to report back, pronto.’

‘But Canberra’s days away from here,’ sighed Number 12. ‘Even if we keep up a steady trot. And do the politicians even allow camels there?’
‘Of course they do,’ said Wanda, sounding very much like Judge Wanda again. ‘If not, I’ll have the law changed!’

‘T-thanks,’ said Number 12. ‘I suppose I could take a bath in tea-tree oil, or something.’

Tiger had never heard of tea-trees, let alone their oil. It sounded rather disgusting if it had to be licked off afterwards.

‘Walking is so twentieth century,’ Syd said. ‘Even if we went as the crow flies – meaning me – it still would take more than a day to get there.’
‘Have finger, will travel,’ Tark reminded them. ‘Ready for teleportation?’

Juan was thinking about the toy gun made of plastic that his father bought him for his birthday. It was a huge green pistol that Juan could fill with water and it would reach enough to wet all the children in the neighborhood. Just one squeeze of the trigger was enough to shoot a torrent of water that reached the other side of the street. Juan knew very well that this was not a firearm.

Juan’s father had a firearm in his house. Juan knew about this gun because on one occasion (when he was supposed to be asleep) he overheard his parents talking about the gun.
—I want you to get rid of that firearm, his mother told him.
To which his father replied, “I can’t.”
“But it scares me,” she stated.
And he replied, “There’s no need to be scared, he’s in a
safe place.”
“I know exactly where it is,” his mother insisted.
And he replied, “Of course, between you and me we have no secrets.

Juan lay in his bed and thought about his father’s gun. If only I could see her, he thought to himself. Even if it’s only once. Well, first, he would have to find her.

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See the sample of DISinformation

ISBN : 9781922120205
Weight N/A
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Editions

Ebook, HB

Options

ePub, HB, mobi(kindle), pdf

Customer Reviews

1-5 of 5 reviews

  • IP (Interactive Publications Pty Ltd)

    A beautifully written, gentle and sensitive story about how barriers of resentment and anger can grow between family members, due to isolation and a lack of understanding or communication. Bringing Down The Wall reveals how the strength and innocence of a child’s love can have the power to break through even the most stubborn barriers of misunderstanding.

    David P Reiter tells the moving story of a little boy named Joshua, who goes to visit his grandfather, even though his mother has forbidden him ever to do so.

    Joshua’s grandfather celebrates his grandson’s visit with the sharing of ice cream and conversation about the past. They explore the reasons why people all have different ways of reacting to difficult life changes, such as illness and death, and the range of emotions that people go through in the process of grieving and trying to move on with their lives.

    The reader is able to empathize with Joshua and his grandfather, as they both begin to gain an understanding and acceptance of each other’s feelings, and Joshua is finally able to appreciate the reasons for his mother’s anger and resentment against his grandfather and his step-grandmother, Riva.

    Joshua begins to realize that although he’s just a little boy, he is actively ‘bringing down the wall’ between his mother and grandfather, with the enormous power of love he has for his family.

    Sona Babajanyan evokes the feeling of warmth and security with her beautiful tonal and textured illustrations of the timeworn and comfortable interior of the house of Joshua’s grandparents. The old-fashioned telephone and ornaments, photographs of family, faded wallpaper, cluttered shelves and big comfy chairs all convey the feeling of the well loved, well worn, safe and familiar.

    Sona’s characters are softly painted with gentleness, but they avoid any of the mawkish sentimentality that could so easily have crept into the sequential illustration of this kind of theme. Joshua is presented as a fresh faced, wide-eyed and thoughtful child, whilst his grandfather and step-grandmother are drawn as quietly care worn.

    This is a picture book story that would be best shared with a parent, grandparent or teacher, and I can imagine it would bring about a great deal of interesting classroom discussion.

    Children need more picture stories like this one; stories that address family relationships, and stories that also help young people to understand their own unexpressed personal emotions in our modern, high tech, fast-paced world.
    – Kathy Creamer, Kids Creative Tales

    July 13, 2023
  • IP (Interactive Publications Pty Ltd)

    Once, Joshua was very close to his grandfather but since his grandmother got really sick and died, he hasn’t seen him because his mother will not let him. Joshua suspects it has something to do with his grandfather’s new wife, but eventually the tug of family overcomes him and he sets out on his own to visit him secretly. Timidly he approaches the house and knocks, and is greeted by Riva who tries to persuade him to ring his mum while they wait for Grandpa to come home with ice cream. But Josh wants to see his grandpa first and when he arrives, they sit down and Grandpa tells him a story from his childhood about little boys not being able to make a difference.

    But Joshua disagrees – he thinks they can and he thinks he is.

    That’s not the only lesson Joshua learns that day in a sensitive portrayal of a situation of a family’s rift that is all too common. For not only does Joshua learn that just one person can take the step to healing, he also has his grandfather’s wisdom of knowing why the rift has occurred and there is understanding rather than blame. Sometimes time can heal, but sometimes it can create a gap too wide to cross. His may not be the only heart healed today.

    The soft muted tones that Sona Babajanyan has used in the illustrations echo the poignancy of this story that explores topics that are common in our students’ lives but not necessarily written about in books. The ache between grandchild and grandparent and vice versa is tangible, and there’s always a piece of you missing when one is removed through divorce or death. Too many years can be lost if there is no reconciliation and Joshua may prove inspirational to some. This is fiction mirroring real life. Sometimes all it takes is the courage to pick up the phone. Little people CAN make a difference, indeed.
    – Barbara Braxton, The Bottom Shelf

    July 13, 2023
  • IP (Interactive Publications Pty Ltd)

    A sensitively told story about loving relationships, coping with loss and learning to love again. Bringing Down the Wall gently explores the process of loss and healing across the generations, from child to parent to grandparent.
    —Margaret Warner, Buzz Words

    July 13, 2023
  • IP (Interactive Publications Pty Ltd)

    A beautiful, heart-felt story about how sometimes things get lost in the generation gap. It takes someone very special to build the bridge and mend the hearts. This book is sure to fill a gap in the market and many a family. Lovely.
    — Angela Hall, Bug in a Book

    July 13, 2023
  • IP (Interactive Publications Pty Ltd)

    Walls are built for protection. For keeping people safe. But what happens when the wall is psychological and the people you are keeping out are your family? Bringing Down the Wall is an honest look at how confusing life can be. It’s about forgiveness and acceptance. It’s about courage and frailty but above all it’s about love and family.
    —Jackie Hosking, Pass It On

    July 13, 2023

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