Jules Leigh Koch
Jules Leigh Koch was born in Sydney and raised in Adelaide. He has conducted poetry workshops in schools, colleges and at the South Australia Writers Centre. He also works as a mentor with writers from the Richard Llewellyn Arts and Disability Trust. He has been a recipient of two South Australian Literature Grants in 2008 and again in 2011. Jules’ working life is shared between Forbes Primary School and Centacare, working with children and young adults with special needs in education and in the community.
Waiting for Daybreak
the daybreak
is pulling itself up
over the suburbs
with one or two stars left
unpicked
about us the sunlight
is fine-tuning the shape and texture
of things
the courtyard is a bird cage
of sounds
while traffic lights
wait
for the screech of brakes
and the sky
for the bark of a dog
The New Estate
systems have collapsed
an electric light flickers
all over the pavement
the wind is bartering with trees
for the last leaves otherwise
the avenues are as featureless as a railway track
streets and parks
have Aboriginal names
only a few residents can pronounce
slowly the moon has dragged itself up
from behind the night
to be exactly where it should
while each star has been accounted for
the artificial lake is as calm
as a sedative
Port Melbourne
the blood clot of sunset
is fading
the sky is a spillage of ink
on blue carbon paper
along the esplanade
the wind
gives mouth
to mouth
to the Norfolk pines
against the wharf
waves rise and fall
then crash
a forklift load at a time
across the bay
stands
a steelwool mesh of cranes
while a half-formed moon
is tugging the night
behind it
Rachel’s Insomnia
she walks through room after room
with the artificial stars
of street lights
in each window
hypnotically
her eyes are unpicking the moon
from its black canvas
her every moment
is a vase on the edge
of a shelf
and her unsleep
is a
tap
dripping
against flesh and bone
along the hallway her cat
senses
the shallow breathing
of a mouse
while the second-hand refrigerator
p u r r s
all night
Fortitude Valley
the red light district
is becoming more and more blue with sirens
around an incident
pedestrians gather with the same detachment
as a police line up
the streetlights have fallen halos
and every window is a peep-show
the moon has blindfolded itself with clouds
and stars have closed their curtains
along Brunswick Street
sex workers
count the carloads of boys circling
their corner
two times… three times…. four times… five
to keep themselves awake
as night settles down
into its trenches
or becomes an all nude girl revue
Read more on Google Books
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Stripping Wallpaper from the Sky
Written over seven years, Jules Leigh Koch’s latest collection depicts people living between pension day and charity. Fringe dwellers whose lives are constructed like origami cranes: defiant, yet quite fragile.