"When this anthology first came to my attention, I had no idea what to expect from it. Whatever it was the works far exceeded my expectations and I highly recommend this collection of poems to poetry lovers everywhere.
I was excited and amazed by the wide variety of styles of poetry: each at a thought provoking level. The anthology displays a sound knowledge and understanding of the important ideologies and beliefs of the world.
I was particularly interested by 'Isaac’s boyhood'. It addresses issues that had concerned me and I was delighted to learn of someone else voicing the thoughts so eloquently.
Another poem that fascinated me was 'Bi- meets uni-polar'. My cousin is bi-polar and I have lived with clinical depression for years. This poem aptly reflects many of our conversations!
I have already read and enjoyed 'The Sandwich' several times, on each occasion discovering new images, aspirations and impressions. So few lines weave so detailed a pattern.
One of the translations he includes is 'Presence', one of my favourite Goethe poems. I enjoyed the translation, and the excuse to re-read the original."
- Valerie Penny's Book Reviews Link to full review
"Certainly not for the faint-hearted, [The] Gleaming Clouds by Murray Alfredson is the work of an unsparingly brave poet who looks at life, just as it is and hard in face. With impressive and sometimes daring linguistic virtuosity, forever looking to amplify experience, find meaningful resonance, explore faith in its fullest sense and take honest comfort wherever possible.
Alfredson's translations from old Norse and 18th century German texts are also touchingly excellent - not only technically, but equally persuasive in their capture of nuance and a beautiful sensitivity of tone that seems to speaks directly to the very soul of our forebears.
[The] Gleaming Clouds is altogether a marvellous and impressively unique creative achievement that, for me, makes sense of one poets life lived always ambitiously and with consistent integrity.
You will struggle to find a robust literary read quite like this anywhere else in the contemporary canon and for that reason, it has my highest recommendation."
- Scott Hastie,
Writer and Poet, Angel Voices
"The gleaming clouds is a testament to the human spirit’s ability to endure. Through chronicling the experiences of mythological or religious figures, his own life, or the experiences of others, Alfredson offers up commentary and observations on human interaction.
He captures those moments that are or will become common to us all. With his eloquent use of language, Alfredson interprets why and how these events occurred by infusing his poetry with the frailties, foibles, failures, successes, and strengths of mankind."
– O.P.W. Fredericks, Editor and Publisher, The Lives You Touch Publications
"Murray Alfredson’s work is embued with Spirit, the spirit that lives primarily in the natural world. Alfredson also deftly infuses mythos of the past with layers of meaning relevant for today's audiences. In “Of Gods and Truths”
he revisits the legends of Osiris, Amun and Siddhartha to remind us that our precious and gleaming truths are also exquisitely ephemeral.
A book to be read and ruminated over and read again."
– Lisa Alvarado, Author of Raw Silk Suture and Still Life
Of gods and truths
In Thebes the mighty Amun ruled perhaps
two thousand years before he grew in power
fed and nurtured by the nation’s service
to reign a further thousand years and more.
And then his fading started: his bones grew weary;
his phallus drooped except as counterfeited
in granite or in limestone (memorial
of glories past); daily services by
the priests and pharaohs, morning offerings
and lavings, failed to hold against decay,
that creeping tide. How terrible it is
to rule as god so long forgetting death,
to sense one’s powers seep, to know again
oneself as fleeting. Instead of raising arms
that held no strength (with sinews slack and bones
already porous, time-leached, his back crush-fractured) –
instead of raising arms against the Romans,
he turned in desperation to use the wiles
and nether charms of Grecian Cleopatra.
By then he knew his end loomed very near.
For several hundred years Osiris, lord
since far before all writing of it, lord
of corn and vegetation, lord of afterlife,
archetype of death and resurrection,
and with him sister-wife, skilled in powers
and lore, a mother goddess giving suck –
this couple throve. They spread their nurture far
beyond their native shores until eclipsed
by him of wounded wrists and ankles,
of bloodied scalp, more newly resurrected.
In turn, that elder holy family also
was displaced; it slid from life to story.
Two thousand years ago plus half a thousand
in the Ganges valley, called by those
who knew him ‘best of men’, ‘awakened’, ‘teacher
of gods and men’, Siddhattha Gotama,
who found and showed a path from suffering,
foretold decay and passing of his Dhamma.
And who dare say it will not happen, or even
assert it does not happen yet? These days
the perfect ones seem sparse as desert trees.
Be careful not to call your truth eternal;
in summer skies the gleaming clouds dissolve.
Prince of Peace
A rose has sprung
ancients have sung
from Jesse’s root
a tender shoot
in desert stone.
that fragrant head
be Prince of Peace
bringer of bliss
between all nations.
Plucked and torn
and capped in thorn
that sprig was hung
from cross bar slung
with ache of nails.
Peace has not come
trumpet and drum
bode bomb and flame
lead flies the same
as arrows of old.
Buddhas, bodhisattvas, other saints
walk the soil.
Soil does not leap for joy.
Cattle, goats and other beasts
tread soil underfoot
squirt piss, drop turds.
Soil shows no anger.
Soil holds gold nuggets,
amethysts and other gems.
Soil is not puffed up
nor grasping as men dig.
Snakes, spiders, scorpions
burrow, creep and slither.
Soil knows no fear.
Trees root, grow stately,
sway in cooling breezes,
burst forth in brilliance.
Soil knows no envy.
Men plough furrows,
hoe and harrow.
Soil does not bleed
nor cry in protest.
Soil feeds plants,
ever giving nurture.
Rains soak and chill;
soil drinks in silence.
Soil receives the dead,
does not recoil
Soil transforms, returns
all these as gifts.
Be as soil.
I’ve lived in Wales, a land of mighty noses,
sharp knives to slice the air ahead of faces,
narrow of nostril, the inside membranes formed
close and ample to touch the cold dry air
drawn in by diaphragm, to warm and moisten,
soften the shock, the impact on the lungs.
Though fierce to see, they serve their owners well.
But that man’s nose I saw across the room
out-nosed them all; in vain I cast around
my skull for words to evoke its size and shape.
‘Gigantic’ and ‘huge’ don’t show the line;
‘noble’, ‘lordly’ approach the standing, but
too wimpish; ‘hawk-nose?’ – form’s right but size is not,
nor mien; ‘king’ draws closer, but not quite there.
‘Aquiline’, I guess; you need to know
the Latin. ‘Emperor’ in spirit almost
does the trick, the lofty majesty, and yet . . .
The ancient lore of falconry declared
‘an eagle for an emperor’. I’ll settle
for ‘eagle-nose’. But still I wish I had
the skill to fuse ‘eagle’ and ‘emperor’
into one mighty sneeze.
Four days the cat-corpse lay there on the footpath
before a worker flung a plastic film
through which he lifted it into a body bag,
zipped and dropped the bundle in his ute
leaving behind a death-juice stain on pavers.
Red-grey and gaining dust the kangaroo
in rigor mortis lies along the shoulder
gravel as cars and trucks roar by.
Against the cutting-slope a wooden cross;
sun glints from cellophane and plastic wrappings
around dead flowers and brighter flecks remaining
of yellows, greens and reds, and cut no doubt
of cloth and plastics wound on wire to lend
that unkempt shrine a longer-lasting look –
sun-rotting memorial to that lad whose mate,
forgetting road and speed, changed a CD.
Road-kill, road-toll – blood-offerings.
Abelard to Heloise
The cost, the cost,
the cost of loving
your uncle sliced
from me that night
he burst my door,
flooded my chamber
with toughs and torches.
I’ll never know,
though, was it mercy
intent to tong
a glowing coal
those tiny spurting
The sear burnt fiercer
through me far
than rapid razor;
demanned they left me
lifelong to linger.
I ache, I ache,
I still ache on,
Heloise for you,
ache that I dared not
defy the Church,
own you as wife
ache for children
ache for the belly
that did not swell,
from livelong loving,
stretched in skin.
How brilliant might
have been, and those
not-born, we failed
to rear as mind-stars,
penned on vellum.
Above all else
I ache for you
nightlong beside me,
our murmured love.
Read more on Google Booksearch