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Christina's Matilda 'Waltzing Matilda, Waltzing Matilda, Everyone knows the words. Many people know that the Australian poet 'Banjo' Paterson wrote them. But how may people know the origin of the tune? In 1895 a young woman named Christina Macpherson sat down and played a marching tune she'd heard. 'Banjo' Paterson, who was visiting Christina's brother, liked it and wrote the words of a song to it. That song was 'Waltzing Matilda'. 'Banjo' became famous, and so did 'Waltzing Matilda'. But Christina's part in the song's creation was forgotten and she disappeared from history until the 1970s. Come a-waltzing with Christina now and discover her story – beginning in the first year of her life, when she encountered the ruthless bushranger Dan Morgan...
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| Edel Wignell | ||||||||
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Edel Wignell is interested in history and folklore. Her first two collections were: A Boggle of Bunyips (1981) and A Bluey of Swaggies (1985). |
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| Elizabeth Botté | ||||||||
Elizabeth Botté works long hours in her Melbourne studio, her eyes engrossed in the world of illustration, and her ears enthralled by lectures and talks from the world's wisest, together with a good dose of Radio National. |
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ISBN 9781921479878 (Hardback in Australia, paperback elsewhere); 37pp; 216mm x 280mm; Release date: 15 February 2011. |
AU$26 | US$18 | NZ$30 | £10 | ||||
| ISBN 9781921479885 (ePub) | AU$13 | US$9 | NZ$15 | £5 | ||||
| Reviews | ||||||||
In this delightful book Edel Wignell tells the story about Christina Macpherson. This little-known woman introduced Banjo Paterson to the tune which he used to accompany his words to create Australia's most popular song. Christina's story is full of interest. There is an exciting account of a While setting the historical record straight by acknowledging the The sepia tones of each page made me feel that I was stepping back into the past to gather the information. I hope the imagination of younger readers will respond in a similar way. Édel Wignell has successfully told the story of a modest woman who made a very significant contribution to Australia. The young and not so young reader will find it a most worthwhile read. – Jim Low, Simply Australia Christina's Matilda would certainly be a great resource for a school project and a great discussion piece for the classroom. – Angela Hall, Bug in a Book Everyone knows (or should know) who wrote the words to Waltzing Matilda – Banjo Paterson. But who wrote the music? This is a fascinating story where the use of historical photographs brings the story of the swagman to life. Australia has a wonderful and colourful history and Christina’s Matilda is a great book to read, to look at, and to learn from. – The Reading Stack The intriguing story of Christina Macpherson who in 1895 played a marching tune for her brother's guest, one 'Banjo' Paterson, who liked the tune so much he wrote a song to fit it - Waltzing Matilda! The march, 'Craigielee', was arranged by Godfrey Parker, based on an old Scottish ballad. An unknown & fascinating piece of Aussie history, lusciously presented in sepia tones with archival photos as a non fiction, large format hardback for mid to upper primary. Should be in every school library around Australia. – Krista Bell, ABC Western Queensland
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Who was Christina Macpherson and what was her connection to the famous 'Waltzing Matilda'? – Margaret Warner, Buzzwords Everyone knows the song "Waltzing Matilda", but how many people know the true story behind its creation? Christina MacPherson, playing a marching-band tune was the girl who originally inspired Banjo Patterson to write his song while Banjo was visiting her brother. Though the old Scottish tune and the lyrics are remembered, Christina's part in the story was forgotten until the 1970s. Christina's Matilda, written by Edel Wignell and illustrated by Elizabeth Botte brings Christina's story to life. – Dee White, Kids Book Capers This is an excellent resource for those interested in knowing where our unofficial anthem, Waltzing Matilda comes from, who wrote it, and what exactly does the narrative within it mean. There are historical photographic portraits of the main players, Christina Macpherson (whose family was held up by the bushranger Dan Morgan), and Banjo Paterson (who penned the words at a dinner table because he liked the tune. It was Christina who, in 1894, at the age of 29, visited the Warrnambool races and heard a Scottish ballad, which became the bones of the song. After the death of her mother, Christina took the epic journey from Melbourne to a remote cattle station in Queensland to be with her family, and there she entertained Banjo Paterson with the tune. Apparently he was interested in the stories of swagmen as he toured the property, and it was one of these stories that found its way into the song lyrics. The song has since then had many lives, sometimes as a commercial ditty for Billy Tea, as a traditional song taught to school children across Australia, and in the mid twentieth century with an entire new melody attached to it. As time passes, discussion continues over which tune it is we sing to our great poet’s ballad. Both sheet music versions are here for readers to use. A gem of a book for all ages, especially those beginning to see that history is a demanding and stimulating discipline. Recommended for historians or musicians from 8 to 18 years old. – Kevin Brophy, Reading Time This is an extended story of the woman who, by playing a march based on an old Scottish ballad in the hearing of a bush poet who was composing a set of verses, helped create one of the best known Australian songs of all time. The real strength of this book lies in the retelling of historical events within the context of an ordinary life, kept alive through family history. Wignell has an engaging style which keeps the whole as one narrative. As with all family histories, there are necessary asides and qualifications, but it is overall a successful portrait of late 19th century colonial life for young readers. The question of acknowledgment of contributions to a work of art, like a song, forms an interesting subtext for the child reader to think about too. The design of the book makes the most of the reproductions of photos, sheet music and other historical documents, with sepia colouring and charcoal drawings by Botté linking them all together. (The National Library of Australia being cited as the source of many of these items may lead readers to their excellent site on this topic.) As they become more prevalent, I have finally found a word that I can use for the information book in picture book form: facture. These books are taking the place of conventional nonfiction publishing for children, as it wilts under the assault of Googling, and this is a particularly engaging example. – Margaret Robson Kett, Magpies |
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Links Read more on Google Booksearch Feature articles in The Age on the launch by Premier of Victoria, the Hon Ted Baillieu Teachers' notes (free download) More samples of Elizabeth's illustrations: Coroflot and Illos.net
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