Deep Breath
You’ve really let yourself go
inside this vanity trap where we
need to wear cyber labels
to decode our hands right from left
so we’ll have somewhere better
to land than backwards. Never try to
control a control freak, especially a
robot urging himself into human guise
for some Promised Land. Because we’re
all organs on a preordained menu for
unwed diners outside a conjured escape
capsule. There’s something wrong
when no one else but you are breath-
ing, as you wonder what flirting has
to do with spontaneous regeneration.
Under the Lake
Ghosts? Never met one I couldn’t tame,
until now. Just say boo from behind
your sonic sunglasses and they
dissolve – or do they? But no, these
cosmic sailors hover, persistent,< br/> curious, even. Who’s in charge?
(I need to know which one I can ignore)
Meanwhile, everyone’s abandoning
ship, or falling softly into death.
They can pass through walls, locked
doors, even Clara’s holographic double,
whispering the dark, the sound, the
forsaken temple, rewinding past, through
dark space from Orion’s Nebula. I need maps,
precise coordinates to frame their positions,
a suspended animation chamber to see
how the slain relearn to hum, transmit
via some Puppeteer’s impossible magnet.
But then the flood, and Clara has to
trust me to teleport without the Tardis
and come back, ghost-free, to her
somehow.
The Return of Dr Mysterio
What do I have in common with Clark Kent?
Certainly not his love of skin-tight threads, but yes
keeping a phone box handy for the first threat
of danger, and being on call 24/7 to buffer
humans, especially page turning companions,
despite their impulse to hug him or me
at the drop of an alien. Save is just what we
freelancers do without bronzing or vows.
During a pause, I was trying to power up
a time distortion equaliser thingy with a Hazandra
gemstone, when young boy Grant swallowed it
and developed a persistent case of levitation,
a capital G, and a blue rubber speed handy
24 years on to sidestep his part-time nanny
job for high school sweetheart Lucy
(read Lois Lane). Tagged the Ghost because
all the better comics names had been branded,
he was super as a backstop brake for a spaceship
with nukes cross-haired at NYC. I could
have snagged it myself, but I was missing Clara
and River Song, it was Christmas again,
and everyone deserves a happy
reboot after a sad
ending.
The Woman Who Fell to Earth
Once you learn how to tumble
from a bike you never forget.
Bad timing: I was in mid-transform
from my grey-haired Scottish
skin (bless his sexy drawl!)
bracing for my train roof grand
entry, no time to muck about
with who I am or was or should be
though I do have this niggling
yearn for a certain runaway police-
box especially as I confront the data
coil of this flying spaghetti monster.
Have I ever tasted a Hersey’s Kiss?
Does it really matter as carriages uncouple
and Tzim-Sha can zap us at will?
I do prefer the height-thrill of cranes
to the afterburn of virtual chocolate
as I blowtorch a fresh sonic screwdriver
from random scraps of metal. Damn
those budget cuts! We can do so much
better than purloined teeth for trophies.
Yes, always be kind!
999.1
Ticking boxes: ‘is he still conscious?
When did his #chest pains, shortness of breath, begin?
Please secure all dogs & attack guinea pigs.’
999.2
In situ: ‘you say your father died of a #heart attack?
Have you ever smoked?’ Passive counts.
As my pain tightens… #regeneration coming on?
999.3
‘Please scale your #pain from 1 to 10.
We sustain for the EW – no exits on our watch.
Name, date of birth, allergies – best to memorise.’
999.4
Drugs, glorious drugs! please Mr Para
may I have some more? Mr #Morphine and I
have never played tag, until now…
4D Print from the #Tardis
#Dr Who at the EW shapeshifts for the transfer,
blue jab in my bowels, #centrifuge of max focus
betrayed by a tease of dancing lights.
After the Kangaroo had solidified ever so slightly from his normal holographic state to bid the Crew a farewell that Tiger the cat took to be almost fond, if not teary, before fading into the darkness, it was pitch dark at Uluru save for the pin-pricks of light overhead that were stars, and only stars, or so Tiger hoped.
He felt the fur stiffen on the back of his neck. ‘Do you suppose Mick will be back?’ he asked no one in particular, hoping that anyone who had an answer would chime in.
‘Weren’t you listening?’ snapped Tark, the extra-terrestrial from the Planet Griffon disguised as a frog so as not to call too much attention to himself. ‘I already answered that question!’
‘Yes,’ sniffed Tiger. ‘But I hoped if I asked again that I’d like the answer more this time!’
Wanda the Blue-tongue Lizard stuck out her tongue, more to test the night air, than to make fun of Tiger’s twitchy question. ‘It would have been fair enough to ask again,’ she said, ‘if you hadn’t had the first answer less than two minutes ago!’
Number 12, the now-almost-completely-retired-racing-camel, rapped each of his left hooves in turn against its right number to free it from a clog of sand before clearing his throat to speak. ‘While it’s true Tiger just asked the question, he did it at the end of Tiger Tames the Min Min, which for us may have been five minutes ago, but this is a new story entirely, and I believe that it took its author quite some months to write.’
‘You don’t know that,’ piped in Syd the crow. ‘It might end up very much the same story, or no story at all if the writer doesn’t get a move on.’
‘Writer?’ Tark demanded. ‘What writer?’
Number 12 snorted. ‘The one who left us standing here in the cold night air for more than a year now pretending that it was five minutes, while he went off to do… other things.’
‘Alexander’s like that,’ Tiger nodded. ‘When he’s working on one of his feature articles, he forgets to eat sometimes. Which is OK, except when he forgets to feed me.’
‘Well, you’ll have plenty of time to remind him,’ said Tark, ‘when we get back to base.’
‘Oh, goody,’ cried Tiger. ‘You mean we can go home at last?’
‘I reckon we’ve earned some R & R,’ said Tark. ‘Besides, Prince and Eudora will want a full update on Mick and his nasty starships. Before they tell us where we’re going next.’
Number 12 anticipated Tiger’s question. ‘Rest and relaxation – that’s R & R. What I was planning to get lots of, before you detoured me out of retirement!’
‘Count this lizard out!’ snapped Wanda. ‘First you drag us up the east coast of Australia to the pointy Top End of Queensland. Then across the Simpson Desert to Uluru. With just a slight change of pace to plug that burst oil well. Ducking Min Min Lights all the way. I do believe that I’ve served my time!’
‘And done it very well,’ Tark said, pouring it on like thickened cream. ‘Where would we have been without Judge Wanda?’
‘Oh, go on,’ Wanda said, her skin going ever so slightly sunset red despite its stubborn greenish black. ‘Any native creature would have done the same in my place!’
‘You can never take a compliment,’ tittered Syd. ‘But if you’ve got a better offer than saving the Earth and our fellow creatures, Wanda, just say so. I’m sure there are others who’ll gladly take your place!’
Wanda eyed Syd. ‘Once a scavenger, always a scavenger. I suppose I’ll have to see it through – if only to keep you in line.’
Syd winked at Tiger. ‘That’s settled, then. Though Judge Syd could have a nice ring about it!’
‘What about you?’ Tark asked Number 12. ‘Are you game for the next phase of Project Earth-mend?’
Number 12 managed a smile as much as any camel – ex-racing or otherwise – could. ‘My race against the emus brought it all back – the thrill. I can’t see myself moping around a paddock all day, flicking away blowflies day in and day out. Sign me up!’
‘And I’m certainly keen!’ Tiger chimed in. ‘After all, what’s an adventure without a leader?’
‘Excuse me, Earthling,’ Tark snapped, stretching his magic toe. ‘Who’s in charge here?’
Tiger gulped, eying Tark’s toe, which was already glowing an eerie green with just a hint of blood red in it. ‘Um, I meant to say deputy leader.’
‘Of course you did,’ Tark said, more kindly, while his toe faded back to its normal frog-like hue. ‘Now we must all teleport back to the Sacred Pool for further instructions.’
‘The Sacred Pool?’ said Number 12. ‘Is that some kind of oasis?’
Wanda laughed. ‘It’s in Canberra, the watering hole for most of Australia’s politicians!’
‘Oh,’ said Number 12, deflated. ‘I’ve never met a politician before. But I hear you can’t trust them as far as you can buck them.’
‘That’s not entirely true,’ said Tiger. ‘The previous Prime Minister was rather fond of Myrtle’s Greenhouse Ginger Cheesecake, so it was a snap to sign him up for Project Earth-mend. He’s still onside, but I don’t know about the one we have now.’
Wanda shook her head. ‘Myrtle will take care of him, or her, if it ever comes to that again. Wait and see!’
‘We won’t have to wait long,’ Tark said, tilting his head toward the sky as if a transmission was coming in. ‘Prince wants us to report back, pronto.’
‘But Canberra’s days away from here,’ sighed Number 12. ‘Even if we keep up a steady trot. And do the politicians even allow camels there?’
‘Of course they do,’ said Wanda, sounding very much like Judge Wanda again. ‘If not, I’ll have the law changed!’
‘T-thanks,’ said Number 12. ‘I suppose I could take a bath in tea-tree oil, or something.’
Tiger had never heard of tea-trees, let alone their oil. It sounded rather disgusting if it had to be licked off afterwards.
‘Walking is so twentieth century,’ Syd said. ‘Even if we went as the crow flies – meaning me – it still would take more than a day to get there.’
‘Have finger, will travel,’ Tark reminded them. ‘Ready for teleportation?’
Juan was thinking about the toy gun made of plastic that his father bought him for his birthday. It was a huge green pistol that Juan could fill with water and it would reach enough to wet all the children in the neighborhood. Just one squeeze of the trigger was enough to shoot a torrent of water that reached the other side of the street. Juan knew very well that this was not a firearm.
Juan’s father had a firearm in his house. Juan knew about this gun because on one occasion (when he was supposed to be asleep) he overheard his parents talking about the gun.
—I want you to get rid of that firearm, his mother told him.
To which his father replied, “I can’t.”
“But it scares me,” she stated.
And he replied, “There’s no need to be scared, he’s in a
safe place.”
“I know exactly where it is,” his mother insisted.
And he replied, “Of course, between you and me we have no secrets.
Juan lay in his bed and thought about his father’s gun. If only I could see her, he thought to himself. Even if it’s only once. Well, first, he would have to find her.
Read more on Google Booksearch
or on Google Play
IP (Interactive Publications Pty Ltd)
‘a poet of energy, a tremendous energy which spills over into some marvellous monologues, as though the single speaking voice of other parts of the book were not enough to contain it.’ — Martin Duwell
IP (Interactive Publications Pty Ltd)
‘a substantial poet for whom more taxonomical reviews will have difficulty in finding a category.’ — Geoff Page
IP (Interactive Publications Pty Ltd)
‘these poems…sing and hum and thrill and trill. This collection is a must for every Australian to read.’ — Peter Mitchell, Australian Book Review
IP (Interactive Publications Pty Ltd)
‘Articulate and endlessly curious, David Reiter sets no bounds to his taste for the world’s many places, people and happenings. He creates a colourful simulacrum of Spain’s invincible, fecund life and history.’ — Judith Rodriguez
IP (Interactive Publications Pty Ltd)
Reiter’s book bring[s] a panorama of lost worlds to the reader — from the Kremlin, to Flinder’s Breaksea Island, from Norfolk Island markets… to Idaho. They stitch you into a tapestry blending a rather fine weave, with loose threads left hanging just to trip you up if you become complacent. ‘Art does not insist. You must let the fragments/find voice and not worry so much about the gaps.’ — Bev Braune, Australian Book Review
IP (Interactive Publications Pty Ltd)
What Reiter has done is more imaginative and more genuinely creative and ground-breaking because he has turned Spain not into a land of monuments that the poet reacts to and makes poems from but into a land of voices. Hemingway acts as a kind of guide but the voice is as likely to be that of a character from one of his novels as it is to be that of the writer. And Columbus, Charles the Fifth, Clint Eastwood, Miro, Picasso and a host of others get to speak as well. All of the themes of this ‘voco-drama’ interrelate because, as one poem says: ‘the centuries / act in circles more often than straight lines’. — Martin Duwell
IP (Interactive Publications Pty Ltd)
Hemingway in Spain is a substantial and accomplished piece of writing which, often in the persona of Hemingway, retraces poetically amny of that man’s preoccupations, as part of David Reiter’s aesthetic response to his experience of Spain (photography is also included). History and its lessons, the blood shed in its making, suffering and stoicism, religion and belief, the mystery of beauty and sex, the nature of modern life and the primal ‘truth’ (as Hemingway might put it) of ancient cultures and rituals. Pithy observations which in the confidence of their assertion carry a ring of truth evoke the big American style: Infidelity / was a squall for some, an anchor for others / candles against the uncertainties of night…Some believe it’s science / others just good luck / that we fall in love / is a superstition; that we stay together is default… (“Contrast at Cuenca”). — Nathan Hollier, Overland.152
IP (Interactive Publications Pty Ltd)
Australia does have…a few who are masters of the poetic art… they include the great Les Murray, the splendid Phillip Salom and the challenging David P Reiter. Hemingway in Spain is the best example yet of Reiter’s experiment with what he calls fusion poetry and the story he tells in the many parts that comprise the whole offers as intriguing and insightful a perspective as any on the great, but flawed American novelist…[he] brings us that man in various forms, whether as the writer, as his greatest character from his greatest novel — Robert Jordan from For Whom The Bell Tolls — or as an observer looking back. And while taking on Hemingway is a formidable challenge, remember that in the end even Hemingway couldn’t live up to being Hemingway. Reiter is more than equal to the task. — Michael Jacobson, Gold Coast Weekend Review
IP (Interactive Publications Pty Ltd)
David Reiter’s most recent book is a fascinating expression of the problem of history and the emptiness of the social sphere…[the] photos exemplify what I read as the central thesis…the frustrating presence of a past that cannot be pinned down, and that offers no secure place for human subjects…this is a book which disturbs, rather than confirms, a narrative stability. Its uncertain politics, its promiscuous juxtaposing of images, times and places, and its collapsing of the fictional into the historical (and vice versa), leaves something unsettled and unexpected, but something which deserves further attention. — Jen Webb, Idiom 2
IP (Interactive Publications Pty Ltd)
This is a book of quotes and epigrams, speculation and anecdote, yearnings and palimpsests, and voices in profusion as David Reiter puts his head down into historical but also fictive intertexts of Tahiti. “I am tired of old planets” one of these voices says, and we too travel through his richly interwoven monologues to search out the nature of art, of civilisation…. These poems even name the siren call of the Internet as the new exotic, the medium of desire. But I was especially struck by the central idea of letters ‘never sent’ as poetic speculation, at its most pointed in the wit and banter between Gauguin and Van Gogh, climaxing in the wonderful Van Gogh commentaries on the famous paintings. — Philip Salom
IP (Interactive Publications Pty Ltd)
Gauguin in the South Seas, Van Gogh in Arles, surfing the Internet, stumbling into chat rooms or a fish and chip shop in the Cook Islands, explorations of past travellers and the random confused explorations of the Information Highway… Such is the exciting collage of images Reiter places skillfully before us. Phrases, lines, stories that reflect back and forth touching always on the dream of happiness, the longing to make sense of ourselves. — Peter Boyle